Tuesday, May 4, 2010

Willa Cather's A Lost Lady

Hi everyone,

These are some ideas that came to mind when reading the first half of A Lost Lady. I would be interesting in reading your views.

A Lost Lady was first published in 1923. It tells the story of Marian Forrester and her husband, Captain Daniel Forrester who live in the Western town of Sweet Water, a little town along the Transcontinental Railroad. What does this particular location, both temporally and geographically reveal about Cather’s view of her contemporaneous society? How and through which resources does Willa Cather characterize the times gone by? How are present and past contrasted?

The way by which characters communicate in this novel is quite telling of Cather’s intentionality to present a social commentary. What can you say about the role of gossiping as a narrative strategy in A Lost Lady? Where and how does this strategy situate the reader?

What are some incidents in the book (from the 1st half ) that give us insight into the characters of Niel Herbert, Marian Forester, Captain Forester, Ivy Peters, and Frank Ellinger. Are there symbolisms associated to the different characters? If so, what does the interaction between them tell us? What keeps them together, what moves them apart? Similarly, what is Niel's attitude toward Marian during the 1st half? Do you think it will change later? How, where and when?



Saturday, May 1, 2010

The journal club


The journal club for this course is meant as a complement to further explore issues related to American culture and music of the 1920s. Drawing from three pieces of literary writing we will discuss historical, socio-economical, ideological and aesthetic concerns during this decade.

Here is the list and schedule of readings.

Date Reading

Reading

4/7 Lewis, Babbitt

Sinclair Lewis: Babbitt (1922), http://www.gutenberg.org/etext/1156

4/14 Lewis, Babbitt

Lewis, Babbitt

4/21 Lewis: Babbitt

Lewis, Babbitt

4/28 Lewis: Babbitt

Lewis, Babbitt

5/5 Cather: A Lost Lady

Willa Cather: A Lost Lady (1923), http://gutenberg.net.au/ebooks02/0200451.txt

5/12 Cather, Lost Lady

Lost Lady

5/19 Toni Morrison: Jazz

Toni Morrison: Jazz

5/26 Toni Morrison: Jazz

Toni Morrison: Jazz



Additionally, we will relate our discussions to the broader worldwide aesthetics of modernism worldwide in order to attempt an interpretation of some of the music heard during the week and discussed in lecture.

Course Description

The 1920s was a decade much like our own, a kind of technological modernity with inventions
such as radio, sound film, the automobile, the telephone, airplanes, and more, rapidly changing
people’s lives. Socially and culturally, the rise of the modern advertising industry, the
industrialization of music, the suffrage movement and more greatly challenged Victorian modes
of life, propelling Americans firmly into the twentieth century. This course examines a variety of
musics in this period, and how they participated in, and registered, a new and fast-changing
American culture.